A Midnight Miracle from Joseph Childress
Posted: December 20th, 2009 | Author: Krispin Mayfield | Filed under: Your New Favourite Band | No Comments »
We are no longer the generation of guitar. It stands as a backbone, but we’re not enamored as we once were. Now, no matter who you are, something else is edging in, whether it’s auto-tune and synthesizers, or xylophones and orchestras, or of course, an accordion. Anyone who can get our attention with a mere six strings anymore is, well, simply worth our attention.
Last summer, while working graveyard shifts at a local boys’ home – just me, a computer and some security cameras in an office – I listened to endless hours of internet radio. Honestly, this whole music genome project doesn’t work as well as anyone would have hoped, but it does fill the air with something that won’t threaten to step outside your chosen genre (although it may woefully play many, many failed attempts at said genre). So I was surprised one night when Joseph Childress came onto those scratchy little computer speakers, because it was brilliant. At three in the morning, and three-and-a-half hours yet to suffer, this song made me feel like I had just woken up from a nap on a sunny afternoon.
The song was “Chariots,” which begins with a disjointed verse of enthusiastic singing against a mechanically picked guitar, not unlike Danielson. However, it soon breaks into a warm chorus of gang vocals, which made me feel on that lonely night like I was being embraced by the very arms of brotherhood.
The song ended far too quickly, and was then gone. In fact, the only trace I could find of it was a thirty-second clip on Pandora’s search page. Childress had a few songs up on his myspace page that were quite good – especially ‘Animal,’ but they weren’t ‘Chariots.’ In fact, strangely, ‘Chariots’ was not available for download or purchase anywhere, and I have no idea how Pandora and its affiliates got their hands on it, but I was jealous.
Until now. Childress is releasing an album in the beginning of the year, “The Rebirths” at Endless Nest Records, and within it, possibly two and a small fraction of the greatest recorded minutes in this soon-ending decade:
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